The other day, my daughter told me Venezuela was producing some of the best young classical musicians in the world. “Venezuela?” I said. “Are you sure you don’t mean another nation—perhaps somewhere in Europe?”
“I don’t think so,” she replied. “I’m pretty sure it’s Venezuela.” She and her violin teacher had recently viewed a 12-minute video about a music program so extraordinary that some maestros are hailing it as “the future of classical music.”
